| mine |
| in a mature fashion |
| it |
| Tact |
| in the faintest of trances one is sorry to be no better |
| t ha n continued |
| as |
| it |
| is better even though no one knows what that same thing is doing to one |
| you don't say |
| it is doing nothing |
| for |
| the same thing |
| is |
| there |
| such |
| a |
| thing |
| as broken english by the way yes that is not in a word above what happened really but it takes intelligence anyhow yes to come across as not disturbed by what one has termed flowery language |
| they |
| are all taking a different tact at any rate and i don't mind if i do |
| say |
| so |
| in |
| it is not |
| yours |
| yes nothing is |
| as much as the art of it is broken |
| being |
| the same thing nothing makes one Kṛṣṇa |
| conscious of course because why because one is not too bright |
| yes one Kṛṣṇa consciousness is enough one says and nothing makes one Kṛṣṇa conscious because nothing is mine |
| so |
| don't go ahead |
| and tell me one is a sparkling spark of brightness too bright for the eye to see and all pervading as one is enough you fool i mean you told me before in so many ways it is a lie that's enough now go and take prasadam yes you must be hungry for prasadam |